Publicación: Perspectivas estéticas de la interacción Humano-Computador (HCI) en las instalaciones artísticas inmersivas–interactivas.
Autor corporativo
Recolector de datos
Otros/Desconocido
Director audiovisual
Editor/Compilador
Editores
Universidad Católica de Pereira
Fecha
Cita bibliográfica
Título de serie/ reporte/ volumen/ colección
Es Parte de
Descripción general
Este texto analiza el modo en que las instalaciones artísticas inmersivas-interactivas develan poéticas que posibilitan otros entendimientos de la cotidianidad contemporánea. Esta reflexión atraviesa diversas categorías de elementos; se revisan aquellos necesarios para constituir la instalación, tales como la interfaz, la interactividad, el algoritmo, el espacio-tiempo instalativo y el interactor. Asimismo, se incluyen algunos conceptos como la endofísica, básicos para un soporte teórico de todo aquello que sucede en el espacio físico y conceptual de las instalaciones artísticas. Finalmente, se plantean algunos sucesos de las instalaciones, denominados como “Nuevas poéticas de la interacción humano-computador en las instalaciones artísticas inmersivas–interactivas”.
The changes that are taking place in the field of new media art made with artistic poseradical changes in the creative process, perception and aesthetics. This paperanalyzes how these changes into immersive artistic installations - interactive, weunveil new poetics that enable a better understanding of the contemporary world thatwe face. Reflection through a number of elements, from those needed to provide theart installation, such as the interface, interactivity, the algorithm, the space - time andinstallation-interactor, to some theories as Endophysics, to help support basicconceptual everything that happens there. Finally hypothesized in process ratherthan finished theory, a few events to facilities that have been called: new poetics ofhuman computer interaction in immersive art installations - interactive
The changes that are taking place in the field of new media art made with artistic poseradical changes in the creative process, perception and aesthetics. This paperanalyzes how these changes into immersive artistic installations - interactive, weunveil new poetics that enable a better understanding of the contemporary world thatwe face. Reflection through a number of elements, from those needed to provide theart installation, such as the interface, interactivity, the algorithm, the space - time andinstallation-interactor, to some theories as Endophysics, to help support basicconceptual everything that happens there. Finally hypothesized in process ratherthan finished theory, a few events to facilities that have been called: new poetics ofhuman computer interaction in immersive art installations - interactive